Newsletter v043: Celebration

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photograph of large group inside CFA
The CM—A community photographed at the "x-change" Book Launch & Welcome Back Celebration on Friday, January 16, 2026. 

Dear School of Architecture Community,

2026 has begun in a spirit of celebration. In January, we welcomed students back to campus with renewed energy and gathered at the end of the first week of classes in the Great Hall of CFA for a school-wide convocation and launch of the newest issue of our annual "x-change" publication.

This book-length volume celebrates the extraordinary range of work from the 2024-25 academic year. It includes student work from first year through Ph.D., along with summaries of courses taught, public programs offered, research produced, and critical reflections on the school's place in the contemporary context. Designed by Studio Elana Schlenker and Jordi Ng and co-edited by Tuliza Sindi and Meredith Marsh, the publication is available in both print and digital formats.

A few days later, we honored the life and legacy of Dr. Martin Luther King, Jr., reaffirming our commitment to the values of equity and justice that shape our work as architects and educators. And not long thereafter, we hosted a celebration of the PJ Dick Innovation Fund Faculty Grants Program, announcing the 2026 round of awardees and highlighting the work completed by the 2025 recipients. During a festive lunch and exhibition, faculty shared their projects with colleagues and students through lively discussions, demonstrations, and thoughtful reflection.

Established in 2023 by PJ Dick Trumbull Lindy Group, the Faculty Grants Program will award a total of $400,000 over four years. The program supports faculty research and teaching innovations that address the school's three pedagogical challenges of climate change, social justice and artificial intelligence.

The PJ Dick event took place at — and marked something of an opening celebration for — our new research facility at 6555 Penn Avenue, near Bakery Square in Pittsburgh's East End. The former warehouse space greatly expands our capacity for faculty research and full-scale fabrication, the exhibition of student and faculty work at multiple scales, and gatherings. We look forward to hosting the Graduate Student Formal and thesis exhibition there later this semester. If you're in the area, please contact us for a visit.

Despite a stressful landscape in higher education, we deeply value celebrating our students and faculty and their work, and we invite you to join us in doing so.

Kai Gutschow
Associate Professor & Associate Head for Design Ethics

Associate Professor & Associate Head for Design Ethics



When asked how architecture education — let alone celebrations of architecture education — can matter amidst global unrest, CM—A Head of School Omar Khan first looks to history.

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Omar Khan
Professor & Head of School Omar Khan

"The energy in architecture and design, writ large, has always been toward making a better world," he says. But in the 20th and early 21st centuries, that energy was often funneled into what he calls an "individualist's utopianism" — a narrative in which "the innovative brainchild of a single visionary genius [think: the Museo Guggenheim Bilbao] could completely alter the fate of a struggling region, raise the world's collective spirit, and enrich all of humanity."

In the intervening decades, though, this "salvation by starchitect" narrative has lost most of its luster — especially for architecture students seeking a way to do meaningful work. "When you look at new, innovative buildings globally," says Khan, "all you see are representations of capital, rather than examples for better living in the 21st century; it's a far cry from utopia."

Becoming situationally responsive to global challenges

Instead of chasing utopias, Khan sees CM—A students and faculty taking a hyper-local, tangible approach.

"They're idealists, but they're also highly pragmatic realists. They want to make communities work better for the people in them. They're not interested in an individual visionary. They're interested in making real, material differences."

Some of this energy is focused on the work of architecture itself. In the past, for example, says Khan, "sustainable design seemed like an achievable, measurable goal; in a rational world, we could expect that global leaders would identify and achieve sustainability metrics." But the current generation of students has watched this shared leadership begin to dissipate, and globally applicable design solutions seem largely unavailable.

"In all three of our pedagogical challenge areas — climate change, social justice and artificial intelligence — students ask fundamental questions, like what would it mean if we can't rely on an agreed-upon, measurable definition? How can we design something adaptable, equitable and resilient, something that works here, now?"

"Of course, technology is part of the answer," says Khan, "but so is community. Our students understand that we cannot function in isolation. We function within and are responsive to a social framework, one that should be just and equitable — but isn't, yet."

Celebrating the moment and building community

CM—A students have also focused their pragmatic energy on their own school's culture. Since 2020, students have self-organized to demand profound institutional change, from new courses to clearer communication and more transparent grading practices. Student-led town halls and community agreements now regularly help shape student life in CM—A.

Carnegie Mellon students have a reputation for putting their heads down and losing themselves in their studies, to the exclusion of all else. But "the work" of architecture has never been solitary. So, for CM—A students, hearts immersed in the work must also be hearts immersed in their local community.

Over the past couple of years, says Khan, CM—A has sought to support intraschool camaraderie by hosting more frequent events for students, faculty and staff. Alongside the usual programs, lectures and colloquia, the school offers opportunities for community rest and celebration. This might look like chatting at a pop-up hot cocoa bar in Margaret Morrison Carnegie Hall, posing for an enormous all-school picture, or celebrating innovative research, like at last month's PJ Dick Innovation Fund Round 2 Awardees Celebration (see footage of the event below).

These moments, says Khan, are as important a part of "the work" as are late nights in studio. Real solutions to the three major challenges, he says, are nuanced and responsive to the moment. They're technical and fanciful, pragmatic and idealistic, flinty-eyed and full of joy. Architecture isn't utopia for CM—A students. It's authentic, responsive, and devoted to the real flourishing of real humans, starting at home.


 

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Head of School Omar Khan makes opening remarks at the PJ Dick Innovation Fund Round 2 Awardees Celebration on January 23, 2026.

PJ Dick Innovation Fund Round 2 Awardees Celebration

On Friday, January 23, the CM—A community gathered at the new research facility at 6555 Penn Avenue to celebrate the second year of the PJ Dick Innovation Fund Faculty Grants Program.

Established in 2023 by PJ Dick Trumbull Lindy Group, the Faculty Grants Program will award a total of $400,000 over four years beginning in 2024. Now in its third year, the program supports the pedagogical mission of the school through faculty research and teaching innovations and the diverse work of faculty in creative practice, professional practice, artistic practice, funded research, participatory design, design build, curation, scholarship, critical and digital humanities, and more. Faculty recipients of the PJ Dick Innovation Fund grants have proposed projects and courses that address the school's three pedagogical challenges of climate change, social justice and artificial intelligence.

The showcase in January not only celebrated the exciting work completed during the second cycle of the program, but it was the first event hosted by CM—A in its new research space at 6555 Penn Avenue, near Bakery Square in Pittsburgh's East End. Peruse video and photos of the projects and new space below, and learn about the third round of grant recipients announced during the event.

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"x-change" Book Launch & Welcome Back Celebration

We began the spring semester with a welcome back celebration and the launch of our annual school publication, "x-change." The event kicked off with a brief opening assembly, followed by a group photograph of the school community, and then lunch and an opportunity to pick up a copy of the 2025 "x-change" publication.

The 2025 "x-change" book, "market x-change," was designed by Studio Elana Schlenker and Jordi Ng, and co-edited by Tuliza Sindi and Meredith Marsh. The exhibition of work from the publication, "Cabinets of Curiosities," was on view in the College of Fine Arts Great Hall from August 25 to September 5, 2025, and was designed by Jared Abraham and Heather Bizon.

Request 2025 "x-change" book

Learn more about "x-change"

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  • 2025 x-change book team: "2024–25: market x-change"
    Cover and Book Design: Studio Elana Schlenker, Jordi Ng; Co-Editors: Tuliza Sindi, Meredith Marsh; Copy Editor: Meredith Marsh; Student Team: Narayan Ashanahalli, Jason Asiedu, Trijya Bhardwaj, Pausha Bovornthamajak, Melika Davarkhah, Lilianne Kouyaté, Keng Pu (Paul) Li, Ananya Shrimali, Aakash Vipparla; Staff Acknowledgements: Alycia Barney, Christi Danner, David Koltas.

    Publication of this book has been generously aided by the EX-CHANGE Fund. Carnegie Mellon Architecture gratefully acknowledges Mark Ferguson (CFA'78) and Natalie Jacobs (CFA'79), and Desmone (Gold Sponsorship), for their generous sponsorship of this publication. Additional thanks to our individual donors: Julio Ascencios (P'CFA'28), Katherine Bojsza (CFA'03, H&SS'03), David Burson (CFA'72, P'CFA'04), Patricia Burson (CFA'71, P'CFA'04), Laurence Clodic (P'CFA'25), Nicholas Colello (CFA'01), Chip Desmone (CFA'87), Lisa Ficarelli-Halpern, Ian Friedman (CFA'18, CFA'20), Kristin Froling (P'CFA'26), Mark Froling (P'CFA'26), Front Studio Architects, Robert Grubb (CFA'80), Jim Halpern (CFA'81), Cassie Howard (CFA'21), Melinda Hungerman Johnson (CMU'00, HNZ'01), Stefan Hurray (CFA'03), Naim Jabbour (CFA'09, CFA'22), Brian Johnson (TPR'05), Adam Shong Jing Kor (CFA'18), Suzan Lami (CFA'79), Norman Larson (CFA'89), Lauren Marx-Ascencios (P'CFA'28), Anne Riggs (CFA'09), Eric Warfel (P'CFA'25), Frederick Watts (CFA'68, P'CFA'96), Jiaxi Wu (CFA'25), Yumiko Yamada (CFA'99), Andrew Yoon (CFA'25), Rachel Zsembery (CFA'00).


 

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Students and professionals meet in small groups at Interchange on February 12, 2026.

Interchange 2026

Interchange, CM—A's annual employer recruiting event, took place on February 12. During Interchange, professionals and firms are invited to meet students in the studio environment and view their design projects and research. This year, over 30 firms visited the school and met with over 100 undergraduate and graduate students.

If you are interested in more information about Interchange or connecting with CM—A students professionally, contact Lori Claus, Director for Career Development Opportunity.


 


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  • We mourn the passing of Steve George, FAIA (B.Arch '58), who passed away peacefully on December 24, 2025, at the age of 93. Steve was an architect, community advocate, and longtime AIA Pittsburgh Fellow. Read the full obituary
  • Sindu Maliakal Meier, AIA (B.Arch '91), Associate Principal at William Rawn Associates, is a recipient of Women in Design's (WiD) 2025 Award of Excellence. For over 25 years, WiD has annually honored women in the design community to recognize "a person who has built one's own life around design, whose work exemplifies the best of process and product, and who uses a position of achievement to give back to the world of design and to the community at large."
  • Jordan Luther, AIAS, Assoc. AIA, NOMA (M.Arch '23), designer at GBBN, has been selected to the "Pittsburgh Business Times" 2026 class of 30 Under 30 honorees. The recognition honors young professionals who are making an impact on both their workplaces and their communities. 
  • Eric Heiman (B.Arch '92) is Partner and Creative Director of hybrid design/architecture firm Volume Inc. The firm recently designed "Past as Prologue: The Last Decade of Furniture Design by Ray and Charles Eames (1968-78)," the hit exhibition at the Transamerica Pyramid in San Francisco. The firm is currently completing design of the Harvey Milk Memorial, also in San Francisco. Heiman teaches design at the California College of Arts and Crafts (CCA) in San Francisco, where he runs TBD*, a student-run studio using design to empower Bay Area nonprofits and civic-minded Institutions. Studio students were recently part of the faculty exhibition "Between Silver and Gold."

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